Graham Gooch once said, I dont coach batting, I coach run-scoring. In a sentence he defined the requirements of the games highest levels: those who arrived there already knew how to bat; what they needed to know was how to prosper on the mean streets, where the pressure was greatest and where any and every weakness would be found and exploited.It suggested, too, that technique is a servant rather than a master, a means to an end rather than the end itself. Ugly runs count the same as pretty ones; David Gowers and Shivnarine Chanderpauls look just the same in the scorebook, if not the history book. And as Alastair Cook, Goochs most famous pupil, has moved inexorably onto the list of the all-time top ten Test match run scorers, and Goochie himself got more than anyone else across all forms of cricket, hes probably on to something.Like all good buzzwords, technique has been thrumming through Test series between England and India, and Australia and South Africa. Theres nothing like a batting collapse to begin the self-evisceration. Speaking to the Guardian for a thoughtful examination of Australian concepts of batting written by Sam Perry, Ed Cowan said: One of [our] biggest issues is the attitude of attack at all costs, which I think is defunct in Test cricket. The message feeds through that weve got to pick attacking cricketers and that you need to be an attacking cricketer to be picked.In India, Haseeb Hameed is the new poster boy for doing it right, the baby Boycott, a kid with arms like sticks who hits through the covers with all of the easy power of a natural ball-player. Ben Duckett and Gary Ballance, having got it wrong, well, how must it feel to be them, to keep touring knowing that your tour is over and that stretching ahead is exile, and in that exile there are hard truths to be faced, hard labour to be undertaken.They will join a list of recent discards, from Alex Hales to Sam Robson, Nick Compton to Adam Lyth, James Vince to Ian Bell, who have various hopes of a recall somehow, someday. In that, they can look to Jonny Bairstow, who knows the feeling. When he was dropped from the side he averaged 27. He was out for 18 months and went through what he called some dark spots. In the summer of 2014 he missed six weeks of domestic cricket with a broken finger and afterwards his renaissance began.Bairstow addressed a point of technique. He felt that he was crouching too low in his stance, which led to a rigid right elbow and back and made him lunge at the ball, a fault compounded by a low backlift that often had him playing shots well in front of his body. He began standing up straighter and holding his hands higher, the bat hovering almost baseball-style as he waited. He still waggled the bat, but it came at the ball from a steeper angle and because of that it arrived later, which meant the interception point was under his eyes, where he was perfectly balanced. He laid waste to county attacks and was recalled for the 2015 Ashes. In 2016 he has made 1355 runs, more than any wicketkeeper in a calendar year, at an average of 64.52.Youve got two options, he says of being dropped. You either run and hide or you front up.It wouldnt have happened without a technical change, but then the technical change would not have happened without the desire to improve, to escape that darkness. He had what seems like the right attitude to technique, that it existed to serve him, to help him score runs. If he wasnt scoring runs, then he needed to find out why.Dean Jones, the former Australia batsman, has published a book called Dean Jones Cricket Tips (The Things They Dont Teach You At The Academy), about the kind of small improvements players need to make to evolve from being good professional sportsmen to international stars. He analysed a typical Sachin Tendulkar century, which took 180 deliveries, and found that Tendulkar left or defended around 70% of them - about 126 deliveries.It suggested that the ability to stay in remains a great batsmans primary quality. His array of scoring strokes, however wide and thrilling, are restricted to one ball in three. What all players looking to score runs must be able to do is defend forward and back and leave the ball well. To score runs, you begin by knowing how to not score them too.Its interesting that the most discussed technical flaws always apply to defensive technique. Englands most improved players, Bairstow and Ben Stokes, have improved most in that area. The problems of Duckett and Ballance lie there. For all of modern battings pyrotechnics, finding a way to stay in remains the key to it all, as Cook and Gooch continue to show. Dan Quinn Jersey . -- Stanfords Kevin Danser knelt on one knee and hardly moved on the sideline as Michigan State celebrated its Rose Bowl victory and his Cardinal teammates made their way to the locker room. Tim Horton Jersey . Artturi Lehkonen, Joni Nikko and Ville Leskinen had the other goals for Finland (1-0) while Juuse Saros stopped 28 shots. Tim Robin Johnsgard had the lone goal for Norway (0-2). https://www.cheappenguinsjersey.com/2171q-jean-pronovost-jersey-penguins.html . Its the second straight game Bell has scored in extra time for Kelowna, which beat the Brandon Wheat Kings 6-5 on Friday, and he now has four game-winning goals on the season. Ron Schock Jersey .J. -- Josh Cribbs was in the Pro Bowl in February and out of a job six months later. Troy Loney Jersey .ca looks back at the stories and moments that made the year memorable. NEW YORK -- If you want to glimpse the future of sports broadcasting, you can check out the Rio Olympics in virtual reality. But if you really want to immerse yourself in the competition, just turn on the TV.NBC, BBC and other Olympic networks around the world are offering the opening and closing ceremonies and selected events in VR, giving viewers a 360-degree perspective -- that is, the ability to look up, down and all around -- when they wear special headsets. Its a first in Olympics broadcasting, and NBC itself admits that its more than 100 hours of VR coverage is experimental.Its good that television networks are getting a head start on figuring out what works with the new technology. Watching the Olympics in VR can occasionally transport you, giving you the sense of actually being there in Rio. But those moments are still too few and far between.---THE BASICSTelevision networks are relying on the shared resources of the Olympic Broadcasting Services. In the U.S., viewers need a cable or satellite TV subscription, a Samsung Gear VR headset and a recent flagship Samsung Galaxy phone.The VR schedule has a haphazard feel. It offers preliminary rounds for some sports and finals for others, but focuses on just one sport on any given day. Events are shown a day after the fact, too, apart from one fencing event and two days of mens basketball expected to be live.---THE OPENING CEREMONYFriends who hadnt tried VR before were impressed by the opening ceremony, though the spectacle was less momentous if youd seen enough of VR for its newness to wear off. A few scenes still stood out:- At one point, performers clad in feather-like costumes sashayed and shimmied around me as they introduced the world to Brazils music and dance. Producers had set up a 360-degree camera right next to them on stage, giving the VR audience the sense of being in the show instead of just watching it. Alas, producers then switched to more-distant cameras.- VR cameras captured the parade of athletes from at least two vantage points on the floor, giving me the sense of standing near them as they passed by. TV shots, by contrast, were mostly birds eye views. I even caught one of the stadium marshals next to me -- I mean the camera -- snapping a photo with a smartphone.- While television mostly had aerial shots looking down at fireworks, VR offered a perspective from inside as fireworks shot up from around the entire stadium.But VR doesnt do everything well, as I learned myself while recording 360-degree videos .With no zoom, shots from the stadiums seats felt distant. Television showed close-ups of supermodel Gisele Bundchens runway walk to The Girl From Ipanema, but in VR all you could see was a dark, empty stadium floor. She was just too far away.VR tried to compensate bby showing a TV feed within the VR environment, but the virtual monitor got distracting.dddddddddddd And when I looked down, all I could see was a computer-generated disk intended to hide the camera rig. It felt like standing on a giant dinner plate -- there as an observer, but not really there.---COMPETITIONThere are currently no commercials or commentators intruding on the VR Olympics; all you get is natural sound from the venue. On the other hand, theres no way to jump directly to a specific match or athlete.Among other drawbacks, athletes sometimes looked like video-game characters. VR video wasnt as sharp as what Im used to on TV, and 3-D rendering might have compounded that feeling of fakeness.In beach volleyball, one challenged play got shown repeatedly on television, but VR offered no instant replays or slow motion.With boxing, coverage switched back and forth between a floor-level camera and one about the height of a street lamp. That forced me to continually tilt my head to look up and down again as though nodding. Let the viewer choose the camera.For mens gymnastics, four cameras covered the six-event all-around finals, meaning you had to turn around to watch two of the events in the distance. Once again, you dont get to control the shot. You might be fixated on the pommel horse when you suddenly get a floor-exercise routine going on at the same time. Track-and-field coverage this weekend will probably have similar issues.For now, VR is most exciting behind the scenes. I could feel the joy as Japanese gymnast Kohei Uchimura won gold and hugged his support staff, surrounded by cameras. You dont get that sense of closeness when its a straight-on television shot. I would love to see warmup areas and locker rooms in VR (for team strategizing, of course). VR works best when the room is small and people are close to the camera.---LOOKING AHEADIts easy to take television sports coverage for granted. Before satellites, TV rarely covered sports live, and cameras were rudimentary. Now, underwater cameras can capture swimmers intensity in the pool, while a computer-generated yellow line shows the world-record pace. Elsewhere, skiers and ice-hockey players have strapped on GoPros. No doubt VR cameras and production will get better.Jim Bell, executive producer of NBC Olympics, said it well just before the Olympics started: It seems like a cool thing, but where it stands right now with the goggles and youve got to put this thing on your head, its not there yet. I kind of like the experience of watching big events like the Olympics on a high-quality television screen, which as we like to say, is as God intended it. ' ' '